Adventure!

I may not be as knee deep in BL as I was a year ago, but I try to keep up with what's current. Recently I fell upon a discussion where individuals commented on how they were sick of reading BL where it was just about the men falling in love. They wanted something more. They wanted action and adventure with a nice side of love. What these ladies failed to realize is BL is a sub genre of romance; therefore the focus is romance. If the story's focus is adventure than it is an adventure story; it's no longer in the realm of BL just because two guys fall in love at some point in the story.

Think of it this way, it's like reading a mystery novel and then giving it the critique that it focused too much on mystery and the romance should be at the forefront of the story. Sounds a little absurd, right?

Mystery is read for the mystery, adventure for the adventure, and BL for the boys love.

I am not implying genre's can't mix and have awesome little spliced babies, this happens all the time. We've all read or seen a good action/romance. But you're misleading yourself if you come to the BL genre expecting the action to be something other than what goes on between the sheets.

Going Global

Ah, Global BL. BL with origins from outside Japan. Or, as I see it: a mishmash of a marketing scheme and Japanese purism. Love it!

No. No I don't love it. I've never been a fan of calling Japanese comics manga or Japanese animation anime. I do not live in Japan, and unless I'm speaking Japanese, usage of those words are unnecessary. I am not trying to be a word Nazi like John Locke and demand everyone apply the same definition to each word or not have so many words for one definition. It's an unrealistic goal. In this particular case I am a bit perplexed as to why an extra word is needed to distinguish a product. At its core, BL is romance shared between males. Does this change if a Mexican is penning the story? No. So why is global necessary?

Some part of me believes this has to do with keeping Japanese products exotic. Seriously, doesn't Global BL sound like a cheap knock off of the real thing? But I can't follow that line of thought because I know the phrase came from within my own community. So I'm doubly puzzled since us fujoshi tend to be very accepting of all forms of BL because in the end it's all about the love, baby.

I just can't willing go along with the segregation of a genre based upon the origins of the creator, especially when there is no core distinction between what the Japanese produce and everyone else. Yes, there can be sci-fi BL, western BL, and  fantasy BL, but there is no global BL.

Where my girls at?

When it comes to American mainstream comics and the two big companies, Marvel and DC, I have always felt they didn't do enough to reach out to their female audience. Oh, yes, DC had Minx, but that was doomed to fail. They did have some awesome titles, but I'm an old fujoshi and what I'm going to appreciate is not what a thirteen-year-old girl will appreciate. They're in the middle of puberty and their hormones are going all crazy--they want sex. DC gave them wonderful girlhood stories. However, the thirteen-year-old eighth grader who can't wait for Keith to message back he likes her too, isn't looking for the next Little Women. Twilight topping the hardcover graphic novel charts speaks volumes to this fact.

There's a lot of blame to go around when it comes to failing at appealing to females and after reading this article from The Comics Reporter, I believe the proprietors of comic shops deserve the same amount of blame. Tom Spurgeon outlines three arguments we could be having about comics. One particular question caught my eye: why are so many direct market comics shops still female unfriendly? Although he provides no answer, he touches on some interesting points, such as the comic shop location and environment, which are none to pleasing to females (or him, for that matter). I think the environment is very important reason females stay away. Because, lets face facts, usually enclosed with in the dark dank area of the comic shop are some really creepy people.

I understand some male comic fans may take offense to this, but allow me to elaborate on my own experience. When I first started going to a comic shop the guys were either mean jerks who sent out "you have no place here" vibes or they were creepy losers who sniffed around my skirt. Once, while sifting through old comics, I was approached by a guy who told me how he lived in his moms basement, collected Spiderman comics and ended by asking me for my number. Yeah, really made me feel comfortable. I don't know, I guess, for me, despite the darkness, despite the dankness, I had expected the comic shop to be a safe zone. A place where I would be accepted and respected because I shared a common interest. And I definitely did not go there expecting to be hit on. What amplifies this and made the situation seem worse to me is it happened in this closed in space where you're crowded by comics and people. I've been hit on in the mall or the library but the difference is these are wide open spaces with light. The openness put me at ease.

I can't blame the customers. People are jerks and they will put you in uncomfortable situations. Therefore the responsibility falls on the lap of the comic owner to make their environment as amicable as possible. So far, the majority of comic shops do not do this. I do not believe comic owners go out of their way to make females feel uncomfortable so comics can remain a male only club. I do believe these shops are owned by men who haven't an inkling how a female feels. So, I'm letting you guys know, if you have a dark, eerie, dreary comic shop where it's difficult to keep the people from overlapping, maybe it's time to call in a interior designer to work their magic. Not only will you benefit from more light and more room, you'll benefit economically because you'll gain me as a customer. And believe me, in this dire economy, you want my business.

Where we belong

TRU FAX: I see breast on the front page of Deviant Art more often than I see my own. I wonder if the creators of pieces such as this image (NSFW) ever get noted about their work being derogatory? I've read journal entries where artist who draw yaoi were nagged by fans not to do so. And you'll find a few artist on Y!Gal who are more comfortable posting their risque art there than on DA. I don't know, I just feel everyone should feel comfortable on DA regardless of what they draw. I know I've seen some very sexual girl on girl pics on DA and I doubt they receive the amount of complaints yaoi artist receive.

I guess, all I'm saying is an imbalance exist. I know, I know, we live in a patriarchal society so this is no big surprise. But since the majority of yaoi artist prefer using their DA more often than their Y!Gal accounts it would be nice if they didn't have to put up with any hub-bub. I just want them to feel as comfortable posting their hot man loving as the guy above felt posting his hot girl on girl photography.

How not to write a review

The Yaoi Review made me realize I need to stop reading reviews from yaoi blogs (the few that are in existence) after reading Jennifer's review for Incubus Master. She gives the plot an A+, the readability a B (wtf indeed), the sexual content an A-. The overall grade is an A-. What is saddening about this review--other than the outlandish grades--is the lack of substance. Instead of telling us what is exceptional about the plot, what sets it a part from your typical fanfiction and why you need to spend 3 dollars on each section, we are given smoke and mirrors:

What can I say? I love this plot. It’s always a good sign when you find yourself eagerly awaiting the next release. At no point in time did I find myself predicting where the story was going or thinking I already knew the ending. There are a lot of original elements to the story and I found it to be very engaging throughout. The synopsis provided for the story doesn’t do the story justice in my opinion. I think Yamila does a good job of 'going there' when tough situations arise in the story; not every element is sunshine and unicorns but that’s what makes the story a little deeper than most we get.

What about the story kept her waiting in suspense? What elements are original? How does Yamila go there? There is no elaboration. So, yes, I am frustrated--doubly frustrated since I am a English major--to read a review which tells me as much as the story's synopsis. And, yes, when I read a positive review with little to no substance I feel the writer is either purposely trying to mislead their audience or they have no writing skills. And not to be crude, I believe in this case it may be the latter. I understand reviews are opinions, but these blogs are not personal or casual blogs. These people are in contact with companies and undoubtedly believe their blogs serve a great purpose. They have the power to convince individuals to spend their hard earned cash. If you wield such power, it's your responsibility to at least learn how to write a good review.

Another aspect of her review I find quite puzzling is how Character Development received an A+ when she never discussed the character development. There is a section labeled "character" where she basically gives character descriptions:

Jinady, a human, is the main character the story follows. From the illustrations, he looks like your typical feminine long haired bishie and in some aspects he is but what I liked most about him is how the author chose to go beyond the typical bishie mold. Jinady not only is a bit of a slut throughout the story with his partner swapping but he also switches up once becoming the seme. I think it’s all his sexual risk taking that makes some of the sex scenes so steamy.

Figaru is Jinady’s main love interest although not his only one. He’s a demon who’s looking for love after losing his wife and although there are plenty of potential suitors, he knows he must be careful with who he partners with. Don’t feel sorry for Figaru when Jinady gets slutty, he’s getting his needs met as well!

There are plenty of other characters to keep the story interesting including a shape shifting demon named Gor, a slightly crazy transvestite named Leatha, spoiled brat and not to be trusted Rowan and our poor Vandrel, who is just too love sick over Leatha to make any good decisions

None of the above has anything to do with character development, which is about change and growth. So the reader is left in the dark as to why character development received an A+. We know Jinady likes to top and/or bottom and Figaru lost a wife but how does this add to the story? This information seems more like random facts than an in-depth dissection of a character.

Now, lets talk about sex, baby:

As I mentioned above, you get to see the sexual content illustrated and in color. Each part provides at least one sex scene and they are usually quite graphic and long. There are a lot of different partners written about so you definitely get some variety. I found the sex scenes written about Jinady to be the most appealing, probably because he’s the one we get to know the best (and is the most slutty!). The writing at times does detract a bit from the sex scenes and one of them early on didn’t really do it for me, moreso due to one of the characters involved but I saw improvement with each subsequent scene.

How does the author improve the sex scenes? What technique is applied to make them interesting? Is the sex there for mere titillation or is the reader able to garner any information about the characters through this physical act? Since one sex scene was found distasteful, mostly due to who was involved, is the only improvement whom Jinady is having sex with? What about the writing? How does the writing improve from what is presented in the free sample? As a reader all I gleaned from the above paragraph is there is graphic sex in each section and the sex scenes with Jinady are the best. The absence of how and why makes the writing come off lax and sloppy. It's that book report you wrote on the Giver in the fourth grade where you believed "it's cool" was a sufficient enough description to receive an A.

Look, I have yet to buy Incubus Master because I read the free preview and was not convinced it was worth so much as a nickel. These other reviewers have read the story and it's their job to convince me I am missing out. A good review would pique my interest and make me doubt my own preconceptions. The reviews I've read so far make me question whether or not these people have even written an essay for a class because rule number one of any essay is BACK UP WHAT YOU WRITE.

Furthermore, do not be quick to brush off those who only read the free sample. The job of the writer is to hook a reader with the first sentence. Incubus Master does not succeed at this task. So to casually forgive the poorly written opening and promise improvements in the sections which require payment is disingenuous.

Last and final scanlation post....for now.

What bothers me about articles such as this one written by Kuriosity's Lissa Pattillo is she is placing all the blame for the downward spiral of manga squarely on the shoulders of the fans. Want to read manga? Learn Japanese. Want to own manga? Import from Japan. These are all great suggestions but they're very much detached from reality. The majority of individuals don't have time to invest into learning a foreign language just to enjoy a leisure activity and despite her skewed facts the majority of people do not have the money to import manga from Japan.

However, people are more than willing to pay for entertainment if they believe it's worth it. Sita Sings the Blues is a great example of how fans will clamor behind a product they like. Even though Sita was free to the public the creator, Nina Paley, made a fifty-five-thousand dollar profit. Paley embraced the internet and in turn was rewarded. Such an acceptance of the internet has yet to happen within the corporate world of manga. There's no Netflix for manga. But maybe the aggregator's have shown companies there is a need for a similar service for manga fans.

I believe, for the most part, the fans have done their part. We've shouted loud and clear, "we want this". Now it's up to the companies to provide. If they don't, we'll find our own way. People such as Lissa may point their fingers and cry "thief", but I'll sleep soundly tonight regardless.

Harder, Better, Faster, Cheaper

The Yaoi Review has an article up on DMP's new effort in the digital market. Here's a little snippet:

DMP is working on a new ‘secret’ project for publishing more manga faster and cheaper than it is now. It would be via a digital format and they are looking to hire scanlators to help with this. Essentially, scanlators would be doing what they do now except there is the possibility of getting paid based on the sales of said manga titles they worked on. They also get to have their name on everything they translate and retain certain rights to the work they do. What rights I do not know. There is also the possibility of becoming a paid translator ‘if qualified’ and you’d be ahead of the pack when it comes to any other candidates that applied for the position.

Nine times out of ten faster and cheaper translates to cheap and/or free labor. DMP is hoping to snatch up scanlators with promises of "pay someday, maybe". This is a common tactic used throughout the business world and it's sad to see DMP being so open about it. I want to believe in this because having an American comic/manga company finally embrace digital media is great. Not paying people who work for you isn't so great.

However, Jennifer, Yaoi Review's blogger, finds the situation a bit ironic:

If I recall correctly, when a scanlator scanlates a title, the author and artist already did their work… where is their pay? Don’t they have a right to be “paid for that service regardless of the manga’s success” as in, even if it isn’t successful enough to be published in the U.S. or other countries, they should still get paid?

I think Jennifer probably doesn't remember the good ol' days when BL was not being sold in the US and scanlating groups such as Nakama were havens for us fans who were unable to get their hands on the real deal. Scanlators served and still serve a purpose to our community. Even though BL has finally found a way to our shores there's still a time delay. How long did we have to wait for Under Grand Hotel to make its way over here despite being a fan favorite? Don't get me wrong, I'm all for supporting the creator, but where would the fans for the work be if not for the scanlators? I wouldn't have discovered Suzuki Tanaka if not for Obsession. I know it's the same for many other fans.

DMP knows this and it's probably the reason why they want to integrate these individuals into their company. I applaud them for their efforts but find it deplorable if they intend on not paying the very people who created the fans who give them their profits.

He said whaaat?

I'm sure by now the majority of anime fans have read Sherman's post on the demise of anime. He wagged his finger at illegal downloads which lead many to enter the age old debate on fansubs. In my opinion the argument detracts from the conclusion Sherman came to: Anime is going to die. What kind of over-blown, stupid, idiotic statement is that? It's just as dumb as when some stupid idiot over at Disney thought people didn't like hand drawn animation anymore. Such a big outlandish shocking statement does nothing to help his cause, especially when everyone knows it's untrue. Maybe dub anime will disappear. Such a possibility is plausible and having a honest open discussion about whether or not dubbed anime has a feasible future would be great. Such discussions don't grow from untruths or by pointing fingers.

The difference between yaoi and bl

I spent my morning blog surfing and happened upon the Yaoi Review. The webmaster restructured the way she does reviews on her site. There are four categories she grades: plot/readability, character development, illustrations, and sexual explicitness. The fact sexual explicitness is given its own section made me think about how many fans in the US think of sex when they think of BL. Why is this?

The majority of BL fans in the US didn't start out reading BL. Yaoi came first. With yaoi comes the expectation of sex. When fans move onto BL the expectation carries over. Because of this the line between Yaoi and BL has been muddled and mixed up to the point where the two words are used interchangeably. Or, in most cases, BL isn't used at all.

I don't have a problem with US fans calling BL yaoi. However, I think it is important for fans to know the difference between fan made works and professional ones. Yes, you can find BL manga where the whole purpose is to titillate, but this is also true of shoujo and shounen. Sex isn't tied to those genre's. Sex shouldn't be tied to BL.

Why I'm not buying Junjou.

Last year RightStuf announced they acquired the rights to Junjou Romantica. Being the dreamer I am, I hoped magically somehow it would be dubbed. Last month all the specs for the dvd were released and I made my decision to forgo this purchase.

This is not a first for me. If you look at my dvd shelf BL is very sparse, almost nonexistent. Sad, I know, but for me, dubbing is a huge reason why I purchase anime. Oh, yes, sometimes a dub can be atrocious such as the redub of Macross (whose bright idea was that). But for the most part, there are days when I just don't want to listen to Japanese, because when you're still learning a language listening to the language you're learning is work, thus it's tiring. Yeah, there's subs, but I prefer to have the tv on and do other things while I listen. So, dubs, no matter how bad, are necessary. This hasn't just hindered my purchasing of BL but other series also, such as Tears to Tiara and Simoun. Especially since, for the most part, a lot of these are streaming online or I can catch them on the anime network. There are those collectors who just have to have the series they're into, but for me that was a phase I have long since out grown.

I understand BL is a niche market but I really do think they had a chance to snatch up more fans with Junjou. Not including a dub you're cutting out a part of your market. And believe me, there are many people out there who are turned off by subs. And if they weren't going to include a dub track they have to offer something to entice people like me. Blu-Ray would be nice, but if this series can't get dubbed there's no way it will get a Blu-Ray release. You can get me with extras. And a nice little bonus would have been the interviews with the voice actors you can find on youtube such as this one here featuring Kamijou and Nowaki's VA's:

Pencil boards, postcards, trading cards, keychains would have all been nice little add-ons. Come on, Right Stuf, woo me! I've already seen Junjou, now give me a reason to own it.

Up, up and away...

Back home in the states and I'm welcomed by this news: Tokyopop is raising prices on their BL titles. BLU manga will now cost 14.99. This doesn't sit well with me. I know the economy sucks for everyone and TP probably is hurting for money, but I don't see how raising prices is going to help them any, especially when everyone is cutting back. And I doubt BL is on the top of anyone's buy list. I'm also not easily won over by their promise of bonus color pages. Going by their track record they can just as easily pull these pages without any explanation to the customers and expect us to keep paying the same price. This is probably why I'm not too keen about the new price because I don't know how long they will keep printing these color pages, nor am I confident this new price raise will prevent them from doing yet another, and another, and another.

I don't know. I'm all about supporting the genre, but I guess everyone has their limits and I think TP has reached mine. This isn't just about the raise in prices, but a lot of things TP has done over the years. So, this is more about not supporting a company then not supporting a genre. BL will continue to get my money one way or another, but TP won't.

Don't be hatin'

Anime News Network recently published a review for all three volumes of Menkui!, by Tanaka Suzuki. The reviewer makes it quite obvious that she was none too impressed with this series. That's fine. To each their own. But I did have a problem with a statement she made below:

Tanaka's artwork is perhaps her greatest asset when her storytelling capabilities are—as they often are—refusing to come to her rescue. She has a clean yet distinctively bold, confident style that has won her numerous fujoshi devotees. In some ways, it looks rather anime-like or perhaps Shounen Sunday-esque. She might have been a slice of life shounen mangaka in another life. Indeed, one wonders if she might not be wasting her time in BL.

Wait, but, what? Do I detect a hint of animosity toward BL? Why is it a waste for Suzuki to dedicate herself to a genre she enjoys? This comment exhibits how little the reviewer regards BL as a legit genre category. Now, maybe she doesn't see BL as a lucrative genre and she believes Suzuki is capable of making more money in shoujo or shounen. She probably meant for this statement to be a compliment. But this belief still undermines BL. As if to say BL is where you go to die a slow death. The thing is, that comment is saying BL is, for the most part, a waste of time. And how can I not take issue with that?

I don't want to come off as if I'm peeved by this, 'cause I'm not. But, I haven't for a while been a fan of the BL reviews produced by ANN. I know you can find more worthwhile reviews elsewhere such as the Fujoshi Librarian over at LJ. I guess, what bothers me is ANN is a staple for anime geekdom and as such they are a very powerful force. And what's that saying good ol' Uncle Ben told Peter Parker? Ah, yes: with great power comes great responsibility. Well, be responsible ANN. If you're going to do BL reviews maybe get someone who understands BL to review it. No one would want someone who isn't good at first person shooters to tell them whether or not Halo is a great game. Someone who has played many FPS's because they enjoy the games is a much more credible person. So, come on ANN; step up. Give me a veteran BL fan.